There will be a way, there will be a light

elder obataobata's yosemite

One of the most moving parts of Ken Burns’ recent PBS series on the National Parks, focused on the Japanese-American artist Chiura Obata, and his life long devotion to Yosemite and the High Sierra. Obata’s first trip to Yosemite in 1927 marked the rest of his life’s work. If you have five minutes to spare please take a look at the PBS clip posted below. It swept us up with feelings of hope and a real admiration for people who fall head-over-heels for a particular landscape.
Seeing Ken Burns’ sensitive portrait had us reaching for a few books off the Land Library’s shelves. For more on Chiura Obata, an excellent volume (full of his sumi ink paintings, watercolors, and woodblock prints) is Obata’s Yosemite: The Art and Letters of Chiura Obata from his trip to the High Sierra in 1927.

In some ways, perhaps even more remarkable is the following book, which tells the story of the Obata family’s internment during World War II. Not to be undone, Obata organized Art Schools in each camp he was sent to, and personally produced a remarkable body of work:

internmenttopaz moonutah desert & mts
Chiura Obata’s alien registration card, Topaz Moon: Chiura Obata’s Art of the Internment, edited by Kimi Kodani Hill, Moonlight over Topaz, 1942.

And here’s a very special book, from our Waterton Canyon Kids Library:

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Evening Glow of Yosemite Falls, 1930, Nature Art with Chiura Obata by Michael Elsohn Ross, Death’s Grave Pass & Tenaya Peak, 1930

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Obata teaching a children’s art class, Tanforan Detention Center, California, August 1942.

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Upper Lyell Fork, near Lyell Glacier, Lake Basin in the High Sierra.

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Chiura Obata sketching in the High Sierra, along with untitled painting.

It’s hard not to be inspired by Obata’s life story, and the work he produced. We also love what he wrote in 1965: “You must always see with a big vision, and if you keep your mind calm there will be a way, there will be a light.

Please enjoy this wonderful clip!

Haruko & Chiura

Haruko & Chiura Obata, San Francisco, 1912.

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